Friedensreich Hundertwasser was a character. Painter, architect, ecologist, he was born in Vienna in 1928 and during a long career created some of the most original works out there. I’m not intimately familiar with his paintings but I fell in love with his architecture. Quirky, eccentric, dream-like – these are some of the words that come to mind to describe his style. Some years ago I saw his most famous building, Hundertwasser House in Vienna, and was really mesmerized by it. In that unusual structure with odd-shaped windows and undulating floors, Hundertwasser’s unique style was clearly on display – and I wanted more. So I was delighted to have another opportunity to see a Hundertwasser building up close and personal last summer in Darmstadt, a city in the German state of Hesse.
Hundertwasser painted his first spiral in 1953 and it had been his artistic credo of sorts ever since. “Gegen die gerade Linie” (against the straight line) is the philosophy that encapsulates his approach. Hundertwasser considered straight lines “the devil’s tools,” associating them with the ills of modern civilization: coldness and sterility of industrial design, detachment from nature, and cruelty of wars fought with man-made machines. He had strong views on the subject: Read the rest of this entry